Nathaniel Parker trained at L.A.M.D.A. & The National Youth Theatre. His stage credits Include the Royal Shakespeare Company productions of A Midsummer Night’s Dream, Every Man His Humour, Richard II, The Rover, The Storm, The Winter's Tale. He has appeared in the London productions of Wolf Hall / Bringing Up The Bodies (RSC, Aldwych & Broadway. Olivier winner, Tony, Drama Desk & Critic Circle nominee) Romeo & Juliet (Young Vic). Other credits include The Merchant of Venice (& Broadway), 50 Revolutions, Speed The Plow, The Audience, This House (& Chichester), An Ideal Husband, The Mirror and The Light (Olivier nominee), Operation Epsilon (Southwark), Rock N Roll (Hampstead), Alma Mater (Almeida), Separate Tables, The Browning Version and Ragdoll.
On the small screen Parker has been seen in The Inspector Lynley Mysteries, The Beast Must Die, Bleak House, Vanity Fair, The Vineyard, Absolute Hell, History of a Pleasure Seeker, Of Kings and Prophets, The Outcast, Mr and Mrs Jones, The Charles Dickens Show, The Proxy, Injustice, Merlin, Inspector Morse, Lewis, Grantchester, Land Girls, Still Life, A Class Apart, Pretending To Be Judith, Trust, The Private Life Of Samuel Pepys, Hotel Babylon and Nuremberg: Nazis on Trial.
Film credits include The Last Duel, Hamlet, Othello, Stardust, Warrior Queen Of Jansi, The Haunted Mansion, Up On The Roof, The Domino Effect, Swimming With Men, The Chronicles of Narnia: The Voyage of The Dawn Treader, The Perfect Host, Lover’s Prayer, Beverly Hills Ninja, Malice In Wonderland, Flawless, St. Trinians, Fade to Black, The Bodyguard, Wide Sargasso Sea, Annabel Lee, T.I.M. and The Velveteen Rabbit
Instagram: @nathanielparker84
